

# Event Details

- **Event Name**: Hampton Art Lovers Presents | In the Paint featuring Ernie Barnes
- **Event Start and End Date**: Thu, 20 Aug, 2026 at 12:00 pm – Thu, 27 Aug, 2026 at 12:00 pm
- **Event Description**: In the Paint: Ernie Barnes and the Art of the Game is presented as a companion exhibition to Get in the Game: Sports, Art, Culture at Pérez.About this EventIn the Paint: Ernie Barnes and the Art of the Game is presented as a companion exhibition to Get in the Game: Sports, Art, Culture at Pérez Art Museum Miami. While that exhibition situates sport within a broad global and cultural framework, this presentation offers a focused exploration of Black athletic movement, performance, rhythm, and visibility through works drawn from The Norwood Collection.At the center of the exhibition is the work of Ernie Barnes, the celebrated artist and former professional football player whose paintings transformed the athletic body into a powerful visual language of motion, improvisation, tension, and grace. Barnes’s figures do not merely depict movement—they embody it. Elongated and rhythmic, his compositions capture the sensation of exertion, anticipation, collision, and release from the inside out.Barnes’s work can be understood through the language of straight ahead jazz—structured yet improvisational, disciplined yet expressive. Like jazz musicians working within a composition while discovering freedom inside it, Barnes’s figures move across the picture plane with syncopation and elasticity. Repetition and variation coexist. Bodies stretch, lean, collide, and resolve like visual phrases carried by rhythm and momentum. In this way, the athlete becomes not only a competitor, but also a performer improvising within the structure of the game.The exhibition opens with a section devoted to Paul Robeson, establishing performance itself as a foundational framework for understanding athletics, embodiment, and public visibility. Through archival theatre programmes, concert ephemera, and commemorative material—including Othello, Show Boat, and the Salute to Paul Robeson cultural celebration—the exhibition presents Robeson as athlete, actor, singer, and global cultural figure.Robeson’s extraordinary career and subsequent persecution during the McCarthy era reveal the complicated relationship between Black excellence, public influence, and political consequence. At the height of his career in the 1940s, Robeson earned the equivalent of more than $2 million annually in today’s dollars, placing him among the most prominent cultural figures of his era. Yet because of his outspoken political advocacy and commitment to justice, he became the target of intense political persecution. Blacklisted, surveilled, and stripped of his passport, his income collapsed dramatically, revealing the consequences that can accompany visibility and influence when they are used to challenge injustice.Robeson’s presence establishes a larger historical context for the exhibition: the Black body not only as a site of athletic achievement, but also as a site of performance, intellect, cultural production, and resistance.From this foundation, the exhibition moves into the neighborhood arena, where athletic identity first takes shape. Works such as Head Over Heels, Main Street Pool Hall, and The Drum Major connect sport to community life, rhythm, ritual, and collective performance traditions deeply rooted within Black culture. Alongside these works, Alonzo Adams’s Basketball Scene extends this visual language of movement and improvisation through everyday spaces of play and gathering.The exhibition then turns toward anticipation and competitive intensity. In The Bench, Barnes captures the psychological stillness that exists before action unfolds. That tension expands through Portfolio of Football, Victory in Overtime – Carolina Panthers, and Back Stretch, where bodies collide, strain, and extend under pressure.This section is anchored by gelatin silver prints by Herb Scharfman, drawn from original negatives and capturing iconic moments featuring figures such as Joe Louis, Floyd Patterson, and Rocky Marciano. If Barnes renders what athletic movement feels like, Scharfman reveals the decisive instant itself—the split second where performance, danger, and history converge.From competition emerges aspiration. In Dreams Unfold, created for the Basketball Hall of Fame, Barnes presents the athlete as a figure of becoming—where discipline, imagination, and persistence evolve into achievement and recognition.In its final movement, the exhibition expands onto the international stage. Barnes’s Olympic imagery, alongside Romare Bearden’s Olympic poster and Barrington Watson’s The Athlete’s Nightmare, situate the athlete within a global framework of spectacle, national identity, aspiration, and psychological pressure. Watson’s lithograph—created as part of The Commonwealth Print Portfolio for the 1978 Commonwealth Games—introduces a critical counterpoint to triumph, revealing the emotional burden carried beneath public performance.The exhibition concludes with Basil Watson’s Usain Bolt to the World II (Maquette), a sculptural study for the artist’s monumental tribute to the Jamaican sprinter. Here, the athlete is transformed into icon and monument, embodying movement elevated into collective memory.Presented in Overtown—a neighborhood long shaped by music, migration, performance, resilience, and Black cultural production—In the Paint situates athletics within a broader continuum of Black expressive life. The exhibition ultimately invites viewers to consider sport not simply as competition, but as choreography, improvisation, ritual, and performance: a language through which the body carries memory, identity, discipline, aspiration, and history.
- **Event URL**: https://allevents.in/miami/hampton-art-lovers-presents-in-the-paint-featuring-ernie-barnes/100001990944591869
- **Event Categories**: exhibitions, art, sports, music, entertainment, contests, theatre, football, concerts, performances
- **Slot details of has slots**: 
- **Interested Audience**: 
  - total_interested_count: 0
- **Event Highlights**: 
  - Duration: 6 hours
  - Location: Historic Ward Rooming House
  - Languages: English

## Ticket Details

- **Ticket Price Range**: min: 0, max: 0, currency: USD

## Event venue details

- **city**: Miami
- **state**: FL
- **country**: United States
- **location**: Historic Ward Rooming House
- **lat**: 25.78273
- **long**: -80.19902150000001
- **full address**: Historic Ward Rooming House, 249 Northwest 9th Street, Miami, United States

## Event gallery

- **Alt text**: Hampton Art Lovers Presents | In the Paint featuring Ernie Barnes
  - **Image URL**: https://cdn-az.allevents.in/events7/banners/b41445d4f672e20fd77728588ad75dd6d7266b6d47612dd3070e5b17cc01632a-rimg-w1200-h600-dcebd9c1-gmir.jpg?v=1780811466

## FAQs

- **Q**: When and where is Hampton Art Lovers Presents | In the Paint featuring Ernie Barnes being held?
  - **A:** Hampton Art Lovers Presents | In the Paint featuring Ernie Barnes takes place on Thu, 20 Aug, 2026 at 12:00 pm to Thu, 27 Aug, 2026 at 12:00 pm at Historic Ward Rooming House, 249 Northwest 9th Street, Miami, United States.
- **Q**: Who is organizing Hampton Art Lovers Presents | In the Paint featuring Ernie Barnes?
  - **A:** Hampton Art Lovers Presents | In the Paint featuring Ernie Barnes is organized by Hampton Art Lovers.
- **Q**: Who is this event for? Is it right for me?
  - **A:** Hampton Art Lovers Presents | In the Paint featuring Ernie Barnes is ideal for art lovers, trade professionals, collectors, and exhibition enthusiasts exploring the latest in their field. Whether you're a first-time attendee or a longtime enthusiast in Miami, this event is thoughtfully curated to deliver a standout experience worth every moment. If Hampton Art Lovers Presents | In the Paint featuring Ernie Barnes sounds like your kind of event, don't wait - spots fill up fast.

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                "description": "Hampton Art LoversWe inspire the appreciation of African-American Fine Art. We honor the heart and soul of Fine Artists and make their work accessible to anyone who loves art. Hampton Art Lovers believes that understanding culture through experiencing the arts is becoming increasingly vital in the modern world. We live in an information economy, a world in which technology can provide access to products and services that have been previously inaccessible. Intense, experiential learning is the currency of the knowledge economy and lovers of art do this naturally. Hampton Art Lovers believes that through culture and arts education we can improve our communities and communities all over the world.Historic Ward Rooming HouseThe Historic Ward Rooming House is supported by the City of Miami SE Overtown/Park West CRA and operated by Hampton Art Lovers. The Historic Ward Rooming House Gallery has a rich socially significant history. It is an honor to bring this exhibition to this space. Built in the 1900s by an African-American family with Bahamian roots (Shaddrack and Victoria Ward), the Ward Rooming House served as a home for both African American and Native Americans who needed a safe place to sleep at night. In the 1940s and 50s it was known for hosting various civic groups and became the “Club House”. Built in the era of Overtown's historic heyday, when it was known as \"Colored Town,\" the Ward Rooming House stands as a tribute to the history of one of the oldest historic Black community in the City of Miami. As one of the few remaining buildings of its time, a seemingly ordinary rooming house becomes significant for the larger role it serves in preserving the history and architecture of Miami's Black community. It was designated a historic site by the City of Miami in 2006 and fully restored in 2010. Now it serves as a gallery and event space."
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